I bought 'Platinum9DISC' from
JapanFiles last night and gave it a few whirls in the past day. I know I'm a bit late to the party on this, but seeing as how this was the first Real MM album I was 'present' for, I thought I'd go over the material and make some points for discussion. I've listened to every Morning Musume album, maybe not in that order, specifically, but you'd think I'd know a thing or two about them.
If you're comparison-shopping, consider my favorites, in this order: 5, 2, 3, 7, 4, 1, 7.5, 8, 6.
Where to start? I think that overall this record was exactly what I was expecting. That's not a bad thing, at all. Coming off what I would consider an artistic peak of the 'Cover You' album, it seemed like the group was ready to turn another corner and re-start the original ass-kicking on a whole other level. Well, between listening to this record and getting a chance to see them live in LA this summer, I'm totally back on the Morning Musume boat.
1. SONGS
It takes a bit of time for this song to get off the ground, but once it kicks in, the polyrythm and voice-processing makes a great start to the album. It's almost a shell of a song, in fact, and it seems to be a way of saying 'strap yourself in for the ride'. Lots of synth sounds, very busy, but the tune is simple. I can just use my imagination to see the girls dancing about. I think the polyrhythm at the beginning of each verse is the best part, like, 'you think *you're* cool... well, here we come...'
2. Resonant Blue
I'm an unapologetic supporter of Resonant Blue, it's just an ass-kicker from front to back. The 'uu-ee' part is convincing enough, and the chorus part that begins with 'kanashimi no...' is the hook-from-hell, it just pushes the song into the highest gear possible. The one catch is whether they're saying 'happy' or 'help me' at the high point (it's 'help me', btw), so don't get too confused, it's not a happy song. Still, it's groovin'.
3. Ame no Furanai Hoshi de wa Aisenai darou?
I won't even try to give a translation, but something to do with love, the stars, and the rain not falling. The obligatory slow song from the first half of the album, it sounds hopeful. Though it may never top Aya's 'THE LAST NIGHT' or Berryz' 'BE' (good luck with *that*), it's enjoyable, and has a nice buildup. One of those songs that starts nice and quiet and before you know it you're going deaf, but all that does is make you turn it up all the more. I really like the addition of some Chinese words, so thanks, Chinese chicks, for taking it to the next level. Something 'THE LAST NIGHT' and 'BE' can't boast.
4. Take off is now!
Oh people, please listen to others online when it comes to good songs. I put this on repeat about five times this morning, trust me, everyone who says this song is good, they're right, completely. Tastefully executed; busy, yet consistent. Combining rock and heavy dance sounds, this song just WINS. I really hope this becomes a staple of the live show, as I would love to see them sing it in person, and they'd better bring dozens of colored strobes to accompany them. My only gripe on this song is that the 'outro' is much too short, it could really go on for about twenty more minutes before I got tired of it. Please please please, bring this song to the LA show, and make it so that the outro lasts about ten minutes while y'all get your freak on. I will still demand more, but it's a start.
5. Naichau Kamo
I will forever call this song 'Nacho Spider' but I really think it's cool. The video is okay, if you like watching girls cry; I'm sure that some misogynist is watching it non-stop right now. When they're not fake-crying, they look incredible, moreso than usual. But let's not let the video taint our impressions of this song. More hyper-dance from the group that does it so well, and even a part at the end of each chorus for idiots like me to recite 'naichau kamo kamo kamo kamo' with veracity, after the actual song has passed me by at a frightening pace. Not a big first-impression song, but this one will probably grow on listeners.
6. Watashi no Miryoku ni Kidzukanai Donkan'na Hito
I'm totally cool with Aika Mitsui getting her own song. How fitting for a 'turn the corner' album to feature Mitsui as the first solo song? Sounds a lot like most of the other songs on the record, hyper-synth-pop and all; at worst, a forgettable song, but it's not like she's not trying. I liked Mitsui before and in my future bleak days, will turn this on as a testament to individual accomplishment. More power to you, Mitsui. I'm the biggest reluctant fan you'll ever have.
7. Guruguru JUMP
Kusumi+Chinese Chicks=I'm digging it already. Is it upbeat? Another plus. Short sentences? Lots of 'em. Somebody should tell Kusumi that peppy songs are her forte. Yeah, there was hyper-beat on the previous songs, but let's step it up a bit. I don't have any words of wisdom here... either you like 'shopping spree' music or you don't. And if you don't, back the heck off of Kusumi, for crying out loud. She's seen several doctors to try and get that star-shaped tambourine out of her hand, there's just no cure, except for time itself.
8. Mikan
This is the song I'm hooked on, right now. When it came out I could have swore I've heard it before, but blame it on my love of Kusumi. This song is a total Koha-fix, top to bottom. No, let's make it catchier! Like Resonant Blue, the buildup to the chorus is worth it, and when it gets to the chorus, there's that extra push. I know no heavy metal song that kicks more ass, seriously. Be prepared to yell 'Oh yeah, one time!' when you get a chance. Oh, yeah.
9. Jounetsu no Kissu wo Hitotsu
The obligatory slow song for the back half of the album, featuring the same trio of singers from 'Take off is now!'. Of course, the second side always makes the slow song a bit more forceful. 'Dokusenyoku' from the 6th album might be an okay comparison, but 'Dokusenyoku' will always be better. Another stereo-buster, indeed, but just not as good; admittedly, it's a high bar to jump. The ending is abrupt and strange. I would hope for a better farewell from Niigaki, Takahashi, and Reina, so look for it in the future, if they ever decide to leave. Let's hope they don't, they're making some good music.
10. It's You
Who decided that a solo Sayu song was the way to go? I just wanna say thanks to that person. This song really does stand out on the album, and by comparison, (Berryz') Risako's 'REAL LOVE' seems flat and unexpressive, so that says something. Sayu's fans (and they're innumerable) are overwhelmed by this song. 'Hey you...' She's talking to ME! The sound of glass breaking at the climax of the song is one of the best touches UFA has put on one of the best songs I've heard in a while.
11. Onna ni Sachi Are
WARNING; if you should watch this video, each and every one of the girls will call you an idiot before it's over. Just take it in stride. I don't think I've mentioned hyper-dance in this post until now, but if you like that sort of thing, this is the group for you. This song does its job as the introduction to the current lineup of Musume. If you've listened this far and still need convincing, just turn it off and go back to your normal life. Otherwise, its placement here is just preaching to the choir. If we could just... get... to our... utility belt...
12. Kataomoi no Owari ni
Second to last song, better drink it in. Kamei Eri's chance to shine, and shine she does. Along the lines of the Mitsui song, it may not be your favorite, even if you're an Eri fan. Oh, who am I kidding, take it Eri! What more can I say? This song is representative of her personality and style on every level. Take it or leave it.
13. Kanashimi Twilight
A great song, no doubt, but I might be the only one who finds Fujimoto's voice a little out of place at this point. She's been gone for a while now, no shock to my readers, and suddenly she's on (and only on) the last track? Tsunku, you lazy so-and-so, please come up with a better ending than this. Keep this song where it is, fine... just give me some closure on this album. Again, not a bad song to close with, but if your thrust at this point is the future of this group (and it should be), less Yossie, and less Fujimoto on the last song. I suppose we'll wait another two years for #10, and it better be more cohesive than this.
So, overall, I will be listening to the album on a regular basis, because I want to get a feel for how terrible it is....