Showing posts with label Aiko Kayohaku. Show all posts
Showing posts with label Aiko Kayohaku. Show all posts

Kayo Aiko's Seventh single...


was released on May 25, 2005. The title is 'こころの惑星 ~Little planets~', with the Japanese portion of the title pronounced 'Kokoro no Wakusei', which could be translated as: 'Planet of the Heart'. The c/w is 'STEP BACK IN TIME', which is a cover of a song originally performed by Kylie Minogue.

It had been roughly half a year since Aiko released a single, having promoted four singles in one month the prior November. It was apparently time for a change, as the publicity for the song seemed to present her in a more mature fashion than anything released up to this point. Interestingly enough, this -- one of the most beautiful Kayo Aiko songs ever -- was paired up with one of her quirkiest songs. 'STEP BACK IN TIME' has yet to be included on any other release; ergo, if you want Aiko's entire catalog, you'll have to hook yourself up with this single.

I've never seen Aiko attempt to sing either song live, and I'm okay with that. Somehow the whole thing came together for one-time-only and the result was arguably the pinnacle of Aiko's career in music so far (I *am* keeping my hopes up). 'Little Planets' is such an exhilarating song. Only Kayo Aiko could sing a slow song like this - one that speaks of finding hope beyond all hope, bringing us to the point where all hope is lost, and then bring us back to where all is right with the world. *Only* Kayo Aiko can do this. Don't try and offer suggestions that anyone could do it better, because I'm just not listening to you.

According to Aiko herself, the video was shot in Guam. Guam this, and Guam that, she says, and if I'm incorrect, then I not only can't understand Japanese, but I also can't understand *anything* because she says it fifty times in the span of a couple minutes on the Aiko Kayohaku DVD 'discography' clip.

Forgetting all other past and possible future endeavors, I'll just say this: if you wanna say something bad about Ms. Kayo Aiko, think about this before you say anything at all... have *you* ever been flown to Guam for a video shoot? And when you got there, did *you* outshine the scenery?

The video, in terms of plot, isn't much to talk about. She hangs out in a field near the ocean, by some rusted bleachers (baseball bleachers, I'm assuming), and the video's producers have set up an easel and a wooden chair in the vicinity. She hangs out there, looking sullen, then sings along, then eventually sings the remainder of the song in a cathedral-type set.

While in the 'cathedral', Aiko might not look her cutest, nor is it the most 'I must have her now' moment of her career, but it's hard to imagine that any human being could possibly have been any more gorgeous than this. If there's better, I'd really like to see it. Really.

All in all, if you must force yourself to buy only *one* Kayo Aiko single, I'd say this is it. You'll get one of her best slow songs up front and one of her peppiest songs on the reverse side.

As a post-note, this song (Little Planets) was used for the first ending to the anime "Law of Ueki", which I understand has a reasonably good following. To tell you the truth, I'll let someone who knows about this series fill you in on it, I'm too busy enjoying the music.

Only five more single recaps to go, hang in there...

Kayo Aiko's Third single...

was released on November 17, 2004. The title is 'Fantasy'. There is no c/w.

This single was the first of four singles she released in four consecutive weeks. The covers for all four singles feature a red rope that winds from left to right, and when the covers are placed side-by-side, the rope continues from one cover to the next.

Similarly, the PV's for all four songs are intertwined with vignettes of four different stories, centered around a large hotel.

In the first video, for Fantasy, Aiko plays a club girl who goes out with a gang of friends, male and female. They have a toast with flute-glasses at a table (but Aiko was 18 when this was filmed, so presume these drinks are non-alcoholic).  They toss a balloon around their hotel suite and blow off 'champagne-popper' noisemakers.  They participate in a giant dance sequence which features what I've always referred to as the 'oh my god, I stuck my hand in the fryer!' dance. See the PV and you'll know what I mean.

This Aiko character is cool, she's happy, and she's out having a good time. But apparently the ruckus that's coming from her hotel suite is bothering another guest. Another Aiko character bangs on the common wall and is trying to say, 'keep it down over there!' We'll find out what that's all about in the next PV.

Fantasy was featured as the ending theme for the TV Tokyo show GAME JOCKEY. I don't know what this show is about, so help me, if you can.

The song itself is a bit of a departure from Aiko's usual style (if she has one), the longest song she's ever recorded (5:38), and even if it wasn't intentional, it's an homage to Avex's early days, awash in Eurobeat.

The original version was recorded by Virginelle, and I've already pointed out where to find the song, but you can find it here. Besides the Eurobeat and the melody of the song, it's very different from the original, much more modern. Aiko starts the song with a run-through of the English-language chorus:

Carry on too many times for love / I only played as ever with your heart
I don't know, it's like a Fantasy / You're only mine, oh what a melody.

The PV is best in full-quality (buy the Aiko Kayohaku DVD!), where the rainbowed lens flares can show up in perfect focus, and you can see all the sparkle in Aiko's eyes.  I'd take her to any club she wanted to go to, but over here she'd get a little turned off by all the bump-n'-grind that goes on at our clubs.  So, it's back to the hotel room...