Showing posts with label Hitomi no Naka no Meikyuu. Show all posts
Showing posts with label Hitomi no Naka no Meikyuu. Show all posts

Kayo Aiko's First single...

was released on December 10, 2003.  The title is 瞳の中の迷宮. It's pronounced 'Hitomi no Naka no Meikyuu', and can be translated as 'The Maze in Your Eyes'. The c/w track is titled 'solitude'.

The PV is a making-of style, featuring shots of Aiko messing around backstage, carrying an umbrella in the rain, being made-up on the set, and a closeup shot of her lip-synching the song.  Some of the shots are professional but others show a candid side of her which of course is very, very cute.  She was 17 when this was filmed.

I believe that her parents are shown in the video;  one shot shows a woman carrying some items a few steps behind her, backstage.  Another very quick shot shows what appears to be that same woman on one side of Aiko, and a really handsome guy on the other side (which could be her father *or* older brother, I don't know for sure).  They look like proud family members, they bear a resemblance to Aiko, and why would the video include a closeup shot of random people at this important moment unless they were proud family members?

The single was featured as the opening theme of the anime 'Yami to Boushi to Hon no Tabibito' (Yami, Hat, and Traveller's Book). Aiko voiced the character 'Reira', some sources I've seen refer to her as 'Layla Mars'. I can't confirm this from the show; Aiko's character is only referred to as 'Reira'.  According to the translator's notes, the Reira character was not in the video game but was created specifically for the TV series.

Aiko's character appears in episodes 10 and 11 of the 13-episode series.   A synopsis of this series follows:

Hatsumi is a mysterious and flawlessly beautiful young blond librarian who has the power to 'travel through' books. She can live in a book's 'world' with that book's characters, but whenever she has a 16th birthday, she disappears and leaves the characters behind.

One of the characters left behind was Hatsuki, who fell in love with her and now is obsessively trying to track her down, but is always one step behind.

When Hatsuki arrives in a new book, the characters will always give some clue as to what Hatsumi (the one being chased) was doing while she lived in that book. Because she is so beautiful and because there are always mysterious circumstances surrounding her arrival and sudden departure, Hatsumi becomes a legend in every world she visits.

In one of the stories, Hatsumi suddenly arrives as 'Rurau' on a giant spaceship which is full of children travelling on a 200-year journey towards a new home planet. She then leaves just as suddenly, floating out into space all by herself.

Some years later, Reira (Aiko) is a child travelling on that spaceship as it reaches the new home planet. She admires Rurau's legend and wonders what it would be like to float off into the loneliness of space like Rurau once did.

The ship is controlled by an omnipotent computer which acts as the parental figure of Reira and all the children on the ship. The adults on the ship all died a decade ago but remain in their beds, decaying, while the ship's computer simulates their voices.

An emergency is called and Reira bravely volunteers to fix a CO2 tank outside the ship. However, she accidentally severs the tether line and floats off just like Rurau.

Instead of disappearing or dying a horrible death, her boy-crush Ramuro uses a jet-pack to save her and they fly back to the ship together. There they are readying shuttles which will land on the new planet, called 'Rurau', a name picked by Reira.

As a housewarming gift, Reira gets vials of DNA taken from Earth animals, so that they can be recreated on the new planet.

I've suspended my disbelief about everything else, but I have a hard time believing that Aiko could clone animals. You never know, I guess.

Subtitled videos of this series, including the opening which uses the single, are available at youTube and probably elsewhere.

The series has a decidedly mature tone and is centered around a lesbian relationship. It's not violent but there are some conflicts. Throughout, there are many shots of ideally-drawn women's bodies with the least amount of clothing possible.

Even Aiko's character lays in bed with a sheet barely draped over her. I won't give away how the series ends, and I haven't watched it recently enough to be confident in teling you about it anyway. But if Hatsuki finally succeeds in finding Hatsumi, you'd really want to watch what happens next, in excruciating detail. They don't show it to you, but after 7 hours of this series, you can imagine it.

Lots of links, Aiko style.

I just took a Mensa Practice Quiz which says I have a "good chance of passing the Mensa test," but if it only weren't for these two simple facts: one, I *hate* word and number puzzles, and two, I'm too busy doing Aiko research to care.  You'll all thank me for doing this, it took a little while.

Seriously, for now I'm done praising everybody else, so it's time for the issue at hand... wait, one more thing... I previewed SPEED's new single Ashita no Sora and it's *damn* good; almost made me cry to see them back together all these years later. I insist you check it out.

Okay, the issue at hand... Ms. Kayo Aiko.  Forget wikipedia, it won't tell you anything.  Rather, check out her blog (also linked above right), or the blog of fellow Kingyo Nao-chan, or the blog of fellow Cheer Up-pers TONO and Kyan Chiaki, where Aiko is bound to (and does frequently) make an appearance. She puts pictures of *them* on *her* blog, so expect the same from her contemporaries.

Also, see Aiko being a video game nerd for whatever the heck this game is called.  Right now there are 18 pages, all accessible from clicking one of the small pictures at the bottom of the main page.

Or, go to youtube for new concert footage, shot about May of this year at Shibuya-O Crest:
Kanojo wa Gokigen Naname (never seen her sing this live before)
Hitomi no Naka no Meikyuu

Still not impressed?  Keep reading.  Go to Google Maps and copy-n'-paste the following coordinates for your virtual Aiko tour.  Choose "Street View" and pretend you're there.  For extra realism, go there in person!

First, a holy shrine for all Kingyo lovers, Azabu West Studio, located at:
35°39'30.21"N, 139°43'30.56"E
the brown building with the recessed entry and Coke machine (and old guy on street) is where LOVERS HIGH was recorded.

Then, head to Fussa on the outskirts of Tokyo for a couple of Aiko landmarks.

The first is at:
35°44'6.52"N, 139°20'25.32"E
and the store called BIG MAMA is where the 'cosmic cosmetics' cover was shot. Took me a while to find this place, and the store is shuttered in the Street View, which covers up the oh-so-famous "American Antiques" wording featured so prominently on the cover.  Must've been Sunday when the Google people drove by.  But, that's the place.

When looking for that, by sheer accident, I found:
35°44'16.77"N, 139°20'20.19"E
The NICOLA sign (see picture above), which is a pizza place.  I have no idea why this was included, but again, there it is.  By the way, the caption on the Polaroid above reads "I'm happy even on cloudy day."  I would be, too, if I had some pizza!

English, please.

Ms. Kayo,

Here are a couple translations that I've been lucky enough to find.  Sorry I don't have any credits to add (with the exception of 'Kanojo' being found at kiwi-musume.com), so if anyone knows where to find these otherwise, please send me the site and/or translator credit.  Nothing personal, folks.

Hitomi no Naka no Meikyuu (1st single, "The Maze in My Eyes", officially titled 瞳の中の迷宮)

I want to meet you… I can’t meet you

My prayers don’t reach you as much as my feelings for you grow

I’m sure it’s because I lost sight of something
All this time, I believed that

Only the things reflected in my eyes are the sole truth, but-
There isn’t just one world, there’s a world called “if”

I know that it exists infinitely and now I’m puzzled in it

I want to meet you… I can’t meet you

I won’t stop regretting until I tell you my thoughts

I won’t lose, I won’t abandon

Even if I sacrifice my body I’ll find you

Because even if the darkness

Blocks my path

And my timid heart is lead astray

I’ll keep searching for you without giving up
That’s right, to find you is to find myself

I won’t forget that promise we made to each other now

We met many times; I was saved often

Everything will turn into courage, I’m not all alone
I want to meet you… I can’t meet you

Because if that’s a trial, then I’ll definitely overcome it


Without losing, without abandoning

Please wait for me

And believe in me

I want to meet you… I can’t meet you

My prayers don’t reach you as much as my feelings for you grow

I’m sure it’s because I lost sight of something

I want to meet you… I can’t meet you

Where are you now? 
Because I’ll definitely find you out

What I’ve gotten lost in is the maze in my eyes

Because even if the darkness blocks my path

And my timid heart is lead astray

I’ll keep searching for you without giving up

-------

Ai Shite ne Motto (2nd single, "Love Me More", officially titled 愛してね もっと)

For the first time I couldn't sleep
I want to see you right now
So the warmth from you holding me
Never, never disappears

The love that began that day
Hasn't changed even now
I just want to treasure
This time of ours together

Love me more
Hey, love me more,
More, I just love you!

For the first time i hurt you
I can't stop crying
This pain in my heart, it feels as if it's about to burst
I just want you to be with me

I love you forever
Just look at me

-------

Kanojo wa Gokigen Naname (8th single, "She's in a Bad Mood", officially titled 彼女はゴキゲンななめ)  

I talk to you, I smile at you

But your head is in the clouds somewhere

My kisses aren’t enough, there’s no tenderness

Where did our love go?

Have you been cheating on me? I try to keep busy

Tears overflow right away
But I can’t hate you, I can’t give in

You’re not playing fair

It’s kind of, sort of

Suspicious

I quietly, quietly look into your eyes

I know right away what you’ve been hiding

Do you think you’ve been caught?

Wait a minute! Wasn’t this love

Supposed to last forever?
Look only at me

Whenever, wherever we are

Why, why haven’t you noticed

I’m in a bad mood?

We used to always pick out fancy clothes

And go out together

And then we’d be all over each other

That was such a happy time

But now it’s just jerseys and sandals

And the convenience store

That was fine to begin with

But the novelty wears off right away

I kind of, sort of

Don’t think it’s fun

I’m going to sulk now

Will you start panicking right away?

Wait a minute! Has this love

Changed its shape too?

I get a shock, maybe

It’s not someone else’s fault

It’s my fault too, but I’m in a bad mood

Wait a minute! Wasn’t this love

Supposed to last forever?
Look only at me

Whenever, wherever we are

Why, why haven’t you noticed

I’m in a bad mood?